Welcome to the home page for WRP’s Critical Edition of Whitehead project. Here you will find a summary of what we are currently working on.
- For an overview of the Edition’s goals and information on its editorial staff and advisory board, see the About page.
- To view quarterly update reports on Critical Edition progress, please click here.
Summary of current work
With the second volume of Harvard Lectures recently completed, Edition staff are currently focused on verifying the initial transcriptions of the materials slated for the first volume of Collected Essays. In the meantime, editorial assistants have forged ahead with initial transcription of the materials slated for the fifth volume of Harvard Lectures.
Itemized list of progress on all volumes
The Harvard Lectures of Alfred North Whitehead
- Volume 1, 1924–1925: Published in February 2017.
- Volume 2, 1925–1927: Published in January 2021.
- Volume 3, 1927–1929: Initial transcription completed.
- Volume 4, 1930–1933: Initial transcription completed.
- Volume 5, 1933–1935: Initial transcription in progress.
- Volume 6, 1935–1937: Materials scanned and awaiting initial transcription.
The Collected Essays of Alfred North Whitehead
- Volume 1, 1886–1918: Transcription verification in progress.
- Volume 2, 1919–1943: Initial transcription completed.
The Correspondence of Alfred North Whitehead
- The Whitehead-Russell Correspondence: Editing in progress.
- The Correspondence of Whitehead: Materials scanned and awaiting initial transcription.
Support the Critical Edition of Whitehead by clicking the link below to donate now. As a program of the Center for Process Studies at Claremont School of Theology (a non-profit organization), all donations to the Critical Edition of Whitehead are tax deductible. CST’s tax identification number is 95-1904355.
Association for Documentary Editing
The Critical Edition adheres to the standards set forth by the Association for Documentary Editing (ADE), and is listed as an affiliate project on their website. The Critical Edition volumes are edited as clear text according to the Guide to Documentary Editing, accompanied by a minimally-intrusive interpretive and critical scholarly apparatus designed deliberately to avoid cluttering the core text with distracting insertions or interjections in order to permit the reader’s full engagement with the authoritative primary text. Editorial annotations are used throughout to meticulously record and justify editorial decisions and to help clarify ambiguities in the original. The texts are studied closely by at least two separate editors.